TULLY REVIEW AVAILABLE AT X-PRESS MAGAZINE

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I went to my first preview screening for X-Press Magazine which was another thrill of a milestone for me. It was for the film Tully a few weeks back which reunites star Charlize Theron with director Jason Reitman and writer Diablo Cody. If you’re a fan of their previous collaboration Young Adult you should enjoy this understated gem. Its box office debut in the States was a little soft but I have little doubt this film will find an audience and make bank at some point. Theron is pushing her screen image into new areas here and I think the film is a thoughful meditation on motherhood yes but also about getting older in general. You can read more of my thoughts here http://xpressmag.com.au/tully-gets-8-10-carpe-diem-baby/

X-Press Magazine was established in 1985 and at one point was Australia’s highest circulating free weekly entertainment publication with over 40,000 copies reaching 1,000 outlets every week.  On the 24th May, 2016 Issue 1527 (the last one in print) hit stands. Like many publications of its ilk X-Press Magazine is now foremost an online magazine engaged globally and making the most of the possibilities that new digital technology offers. It’s roots though are tied to its home city, love of local artists and productions and music which it supports wholeheartedly. Perth a capital city most isolated from all the other capitals is continuing to grow and develop culturally and artistically with its own identity and talent. X-Press has always been there to capture this growth and will continue to do so.

Happy Mother’s Day from Australia.

-Lloyd Marken

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THE YEAR THAT WAS 2017 ON LLOYD MARKEN WORDPRESS

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Following on from last year I’m doing a quick recap of stats for 2017 which I always find a little interesting. This year the site has seen a few changes, a lot of posts now refer to reviews I’ve had published elsewhere and don’t include screenshots or gifs from movies which may attract views. I don’t know. My stats have gone through the roof due to the large interest shown to a post I did on the movie The Founder which I think got placed on a site by WordPress that increased traffic to the post. At the same time I haven’t engaged with my fellow bloggers or sought to grow my blogging community and so you’ll see number of likes has decreased as a result. All I can say is I enjoy my current blogging community and the size of it and am grateful for their continued interest and I want to remain able to keep up with them semi-regularly and so don’t worry a lot about getting new followers. Always nice to grow though. I have some plans for 2018 but I had some plans for 2017 and not all of them came to fruition so we’ll just see what happens.

The United States retains the crown for most views this year, the United Kingdom comes second place after barely coming in third last year with Autralia now in third place. Congratulations to Canada who remains in fourth and has cracked over 1,000 views for the year. It was hard fought but Germany cracks the Top 5 this year. Spain, Brazil and France all fall out of the Top 10 this year. A post I wrote about a good man I knew who passed away saw an uptick in views from his homeland of Malaysia and one of his favourite countries in the world Japan. Goodbye Kelly Chen, you will are so obviously missed by so many far and wide. I’m particularly touched to see my post has resonated with those who knew him best. Any mention of Taika Watitti sees an uptick in New Zealand view. Congratulations to Indonesia and India who cracked the Top 10 this year, hope you’re enjoying the blog.

 

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Top 10 Most Views by Country

  1. The United States of America                                                                               9,126 Views
  2. The United Kingdom                                                                                              2,339 Views
  3. Australia                                                                                                                   1,848 Views
  4. Canada                                                                                                                      1,057 Views
  5. Germany                                                                                                                      166 Views
  6. Japan                                                                                                                            163 Views
  7. Indonesia                                                                                                                     120 Views
  8. New Zealand                                                                                                               113 Views
  9. India                                                                                                                             100 Views
  10. Malaysia                                                                                                                         92 Views

 

stats 2017

 

Out of 105 posts published for the year the following 25 got the most views. In 2015 the blog started to grow with 1,609 views, 333 visitors, 23 Likes and 30 comments. In 2016 the blog received 5,673 views, 3,206 visitors, 546 Likes and 751 comments. In 2017 this grew to 16,767 views (more than a third of which were for The Founder Review), 11,891 visitors, 1,240 Likes and 1,707 comments. This was helped in no small part thanks to the support and interest from my fellow bloggers.

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Top 25 Most Viewed Posts 2017

  1. Ray Kroc…What An Asshole                                                                                5,992 Views
  2. Goodbye Kelly Chen and Thank You                                                                    303 Views
  3. Minor Roles That Had A Major Impact – Lucy From Going In Style               187 Views
  4. Extras Who Add A Little Something – Kathy Larson and Missy Wolff           141 Views
  5. The Appropriately Titled Jack Reacher: Never Go Back                                    131 Viewstime jack nothing reacher
  6. Review of Young Australian Filmmaker Shorts Available on Scenestr         127 Views
  7. Extras Who Add A Little Something – John B. Destry                                         112 Views
  8. Minor Roles That Had A Major Impact – Dr Lamar from Gattaca                     89 ViewsRelated image
  9. Minor Roles That Had A Major Impact – Stephanie from The Naked Gun      89 Views
  10. Star Character Actors: Stephen Tobolowsky                                                         85 Views
  11. Best Dressed Award Season 2017 Part I                                                                 85 Views
  12. The Mystery Blogger Award Nomination                                                               84 Views
  13. The Seven Ages of Clint Eastwood                                                                           80 ViewsImage result for honkytonk man clint eastwood
  14. The Long Overdue Film About Jadotville                                                               76 Views
  15. Hugh Jackman as The Wolverine                                                                             72 Views
  16. You Can’t Keep A Good Kong Down Even If You Should                                     72 Views
  17. Star Character Actors – J.T. Walsh                                                                            71 ViewsImage result for j.t. walsh young
  18. Over 1,000 Views for The Founder Review                                                            70 Views
  19. Major General John Cantwell – Hero, Veteran, Human Being                            69 ViewsImage result for major general john cantwell
  20. La La Land: A Modern Musical                                                                                 68 Views
  21. The Seven Ages of Harrison Ford                                                                             67 ViewsImage result for harrison ford WITNESS
  22. Spider-Man: Homecoming and Atomic Blonde Reviews Available at Buzz    66 Views
  23. My Favourite Films of 2016                                                                                       65 Views
  24. Minor Roles That Had A Major Impact – Jaguar Owner from Speed                 64 Views
  25. The Perspective of the Girl on The Train                                                                64 Views

As you can see the posts about extras and characters actors were very popular so I hope to bring them back in a way in 2018. Also I really liked the idea of doing the Seven Ages posts but unfortunately the time needed and the titles that have to be seen makes that challenging. Going through all the posts and figuring out what got most likes will simply take too long but please continue to like my posts if you like them because it is always a thrill for me when I see those little icons below the post. A lot of my posts were about reviews published elsewhere this year which seem to attract attention mostly from my long time core readers. Thank you very much for supporting me in these new ventures, it has meant a lot and I think also shows my editors that I do have an audience that I bring along with me. It really is appreciated.

For Your Consideration

Now it’s time for some shameless self-promotion where I point out reviews I’m very proud of from that year that you might want to check out. In going over the 105 posts for the year there were many I’m pleased with and glad found an audience but citing them seemed redundant. They are a time and place and people either read them then or will discover them later. Some of the posts I do on here now have become more personal whether it is me remembering BIFF or describing a recent holiday to Newcastle. 20171001_110615There are some reviews I’m proud of and some reviews I’m not. Yet again they either found an audience or they didn’t, people seemed to like the Tom Hanks Top 5 over at Heavy and had lots to say about my review of Dunkirk. My review for Queensland Ballet’s Raw and Hidden Figures at Scenestr will always have personal significance for me and I worked really hard for them to be good. I felt energised when writing about The Go-Betweens: Right Here than I was when writing about Kingsman: The Golden Circle. I enjoyed my list of Best Films for 2016 Image result for eye in the skyand look forward to doing one for 2017 once the bulk of Oscar releases arrive here in Australia. Come on Ladybird! I should take this opportunity to mention that 20th Century Women and Nocturnal Animals would have easily made the 2016 list if I had seen those movies at the time. I’m humbled to see the review of The Siege at Jadotville was met with approval from someone who’s father had served at Jadotville. If from my small corner of the internet someone has learnt a bit more about the Irish at Jadotville or the strength of Major General John Cantwell then that makes me very proud. In the end though I just want to say cite two pieces. The first is a review I did of the movie Fences, I just like my review which mentions something about one of my grandfathers. Image result for fences movieThe second… Many years ago I worked with a young man on the set of a film being shot on the Gold Coast named Vigilante. He passed away earlier this year and while I didn’t know him very well I was struck by thoughts of how he had lived his life. Not just personal career achievements but the measure of the man was in how he had treated others and enriched their lives. This is a legacy to aspire to and I tried to put into words my memories of him in a post. I would urge people to take a look if they haven’t. His name was Kelly Chen.

Well that’s another bunch of stats for another year. I would like to take this moment to thank you all for your continued support Pete, Cindy, GP, Don, Vinnie, Jay, Sean, Paul, Allen, John K, Michael, Jet, Eddie, Alex, Paol, Jordon, John R, SJS, DB, Emma, The Film Blog guy, Jersey Dreaming, Robin, Eric and anybody else who takes the time to read these posts. It would be helluva lot less fun without you all.

-Lloyd Marken

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SPIDER-MAN: HOMECOMING AND ATOMIC BLONDE REVIEWS AVAILABLE AT BUZZ MAGAZINE

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Recently I went and saw the new Spider-Man movie and my wife took me to a preview screening of the new Charlize Theron actioner Atomic Blonde. I’ve also watched Baby Driver, a film that has been carrying a lot of buzz. Alas I may not share the same enthusiasm for it that many do but there are things I appreciated about it. Maybe I’ll get to a review in time. I also hope to write about the return of the Brisbane International Film Festival which trust me is a cause for celebration. In the meantime I’ve been lucky to have Buzz Magazine publish my reviews for Spider-Man: Homecoming and Atomic Blonde. Links can be found here http://buzzmagazine.com.au/spiderman-homecoming/ and here http://buzzmagazine.com.au/atomic-blonde/ and I hope you enjoy.

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Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

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I count myself very fortunate to have been able to submit 5 reviews there for the blockbusters Guardians of the Galaxy Vol. 2, Pirates of the Caribbean: Dead Men Tell No Tales, Wonder Woman and now Spider-Man: Homecoming and Atomic Blonde.

Hope you’re all well.

-Lloyd Marken

 

 

 

 

ALIEN CONVENANT SURE WON’T BE MISTAKEN FOR ALIEN: COVETED

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Alien: Convenant has opened to mixed reviews and solid if not exciting box office. Such a reaction may spell the end of Ridley Scott’s plan to close out a new trilogy of Alien films for this decade but will this film grow in prestige with time. Setting out to serve two audiences it may fail to completely satisfy either but there’s no denying there’s good stuff here. Is it enough?

GenXers growing up in the shadow of the first two films were always keen for more go arounds when rumours would arise of James Cameron or Ridley Scott returning to the franchise. At one point long before Avatar took up his time there were even rumours Scott would direct a film written and produced by Cameron but alas that was not to be.

in 2012 though Scott returned to science fiction for the first time since 1982 with Blade Runner to make a Prometheus that would deal with origins of the Aliens and answer finally who was that infamous space jockey. The infamous space jockey turned out to be a giant, bald grey humanoid who took a shot of tequila and made human kind. Or at least one of his ilk did a million years ago. Beyond that we didn’t learn much about them but the ending of Prometheus promised us we would find out in the next film. We don’t.

Prometheus saw the Hollywood debut of Noomi Rapace who did a solid turn as Elizabeth Shaw and before heading off on a new adventure at the end setting up a compulsory sequel. Don’t expect to see much of her in this sequel.

Prometheus sported some incredible visuals but its weak point were fucking moronic characters who played cute with space cobras and took off space helmets for no good reason so they could propel the narrative forward, felt ill and possibly contaminated but still had sex with their girlfriends and in a panic ran in straight lines ahead of rolling giant objects bearing down on them.

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Thankfully there were bright spots and not just some neat sexual tension between naked push-ups champ Charlize Theron and handsome Idris Elba. There was Michael Fassbender as peroxided android David. A character you definitely couldn’t trust but was endlessly fascinating whom with a mix of intelligence and naivety engaged me.

I had time for some of the human characters in Prometheus, but I wanted to find out what happened next to David. To this end Alien: Convenant is more of the same. Michael Fassbender returning as David and also starring as Walter a newer model android is easily the most engaging performance/s of the film. Nothing against Katherine Waterston or Danny McBride who acquit themselves well but they’re types and also lambs for the slaughter. Nobody is still wearing a space helmet again but at least the word quarantine comes up in conversation and it just seems like the momentum is always against the human characters here that you understand why mistakes are made even if they are still clearly mistakes.

I guess you want to hear the plot right? Okay people on a ship in cyrosleep going to a planet. Fire on ship, people wake up. Get signal from other planet. Decide to go there because it is habitable and just had people die on fire on ship. Get there and….aliens. Sort of.

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There-done. I can’t state this enough Fassbender and Guy Pearce having a conversation in a white room at the beginning of the film was far more thrilling for me than an Alien tearing down spaceship corridors in the third act. Everything with David and Walter was far more fascinating to me than the alien scares and I suspect the same for Ridley Scott. Despite this though I do think the venerable director has had a red hot go at making the xenomorph scary again and giving us fantastically gross deaths to try and top the chest-bursting scene of the original. Creatures in long grass leaping out at dusk illuminated by nearby burning wreckage. Bursting open backs rather than stomachs. Neomorphs braying quietly an inch from you like a horse. The classic cliché of a shower sex coupling interrupted by other appendages moving in are memorable images as are pathogens moving through ear canals. If there is any complaint it is that it would have been nice to up the creep factor a bit with some of these sequences. Sadly the creatures themselves often move too fast and with little weight obviously rendered by computer their movements are now too sleek compared to the haunting creature in the earlier films. However the scene much touted in the marketing where a belayed Waterston does battle with the classic xenomorph on top of a careening space vehicle while packing a modified Steyr assault rifle is the kind of sequence that couldn’t have been done 20 years ago the same way and makes great use of modern technology.

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The film itself is less pretty than Prometheus sporting harsher colours, the planet in this film replaces the bare black volcanic rock with forests and medieval like structures but the sky is darker, the colours even more muted adding up to convey a nightmarish quality of a ruined world. Positively gothic. Which is kind of the point and maybe why this may struggle to find a huge audience. This is a dour film offering no real easy answers. There’s plenty of horror and action in it but its more interested in bigger themes. Yet saying that big themes and moodiness is why this film won’t click with some is just an excuse. Plenty of dour films can still entertain you with their effectiveness. There are interesting ideas in Alien: Convenant, some neat deaths and two compelling performances from Michael Fassbender. I was angry about the idea of having already waited five years for answers when Convenant was only going to leave me hanging for more but I am now intrigued to see where Scott takes this. Yet that does not a satisfying film make and Alien: Convenant is far from satisfying. Wait for it to come out on Disc or streaming. While Alien: Convenant seeks to address some of the criticisms of Prometheus I would argue the latter is still the better film. I’m also putting it out there in this corner of the internet, Sir Ridley I’d like to see Alien 5 with Ripley, Newt and Hicks more than I ever wanted to see this.

-Lloyd Marken

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THE FATE OF THE FURIOUS REVIEW ON SCENESTR

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Recently I have been fortunate enough to do some work with Scenestr Magazine. This week I was lucky enough to attend the Queensland premiere of the movie The Fate of the Furious and my review of the film has gone online here http://scenestr.com.au/news/movies-and-tv/the-fate-of-the-furious-review-20170412

I appreciate people taking the time to click through on the link rather than the convenience of reading a review from here. The actioner starring Vin Diesel is a fun way to spend two hours but I’m most excited about Guardians of the Galaxy Vol. 2 opening later this month although Thor: Ragnarok’s stocks have gone through the roof this week. 🙂

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts and fortunately for me I have had 3 reviews published by them for Queensland Ballet’s Raw, Logan and Hidden Figures.

-Lloyd Marken

THE HUNTSMAN: AN UNNECESSARY SEQUEL THAT IS NOT NECESSARILY BAD

The Huntsman: Winter’s War is a completely unnecessary prequel, sequel and spin-off but that is not to say it is not without merits. Snow White and The Huntsman was a big hit for Universal but bad press followed when it was published that the married director Rupert Sanders and young starlet Kristen Stewart had been involved in an affair. Sometimes the public doesn’t care about such things but sometimes it causes issues and given it ended the relationship between Stewart and her Twilight co-star Robert Pattison the media interest was going to reach fever pitch. Snow White had proved a bona fide hit for young Stewart offering her chance to get work beyond the Twilight franchise and quirky indie hits. So what to do after shitting the bed? movies kristen stewart ms snow white swathThe inevitable follow-up went through a stilted development with whether Sanders would return (he didn’t), Stewart would reprise her role (she doesn’t) and whether the film that followed focussing on The Huntsman (Chris Hemsworth) would be a prequel? (hmm kinda).

Following the events of the first film we get into the back story of Eric, The Huntsman which turns out to be quite a tale requiring us to look back at events involving Ravenna (Charlize Theron) many years before Snow White. Freya (Emily Blunt) a younger sister of Ravenna following a personal tragedy left for the icy north where she raised an army out of soldiers captured and trained to fight from childhood. Her finest soldiers are Sara (Jessica Chastain) and Eric who plan to escape and marry which is forbidden in Freya’s Kingdom. When Freya learns of this Eric sees Sara murdered before him and barely escapes to the southern kingdom where he will take part in the first film’s events. Now in present day a darkness has taken over Snow White’s Kingdom and Snow White herself (the great triumphant female heroine from the first film reduced to a shot from behind of her sick and knelt in front of her nemesis’s Magical Mirror) and maybe only the mighty Tho-sorry Eric can save us.

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On paper The Huntsman appears like a poor cash in, the focus has shifted to a side character, the original’s visual effects supervisor Cedric Nicolas-Troyan is making his directorial debut with this film and seven dwarves have shrunk to two (we get four in the end). The budget of the original was $170 million dollars and this sequel cost $110 million dollars, while the film looks good and sports great effects, sets and sequences it lacks the large scale set pieces with extras and real locations that the original sported. Despite what the marketing would have you believe, the franchise’s biggest star Charlize Theron is mostly absent from proceedings essentially showing up in the third act with a glorified cameo as if the filmmakers didn’t trust their own tale to carry enough impact without her. Which given how much the film lifts when she appears may just be good common sense on their part. Balancing this out is newcomers Emily Blunt and Jessica Chastain who are two of the hottest young actresses working in Hollywood at the moment. Hot in the sense

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but also hot in the sense that their proven talent and previous work makes them highly sought after. Their casting lends a lot of prestige to this sequel which at times often feels like half measures compared to the original. Blunt conveys a steely bitter resolve that you never quite trust will not crumble (she’s been better in other films but it makes sense for her not to quite have the presence of Theron) and Chastain is suitably kick-ass.

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Chris Hemsworth enjoys his opportunity to be the lead albeit in yet another ensemble, sporting a fake Scottish accent, smiling charmingly and filing out leather pants as good as Chastain does (why doesn’t she gets sleeves too or perhaps the question should be why does he have sleeves?!). The previous film allowed him in one scene to really stretch his acting muscles too, I’m not sure this sequel did but his performance is fun enough. That’s the entire film in a way, completely unnecessary but fun enough. There are wisecracks, loved up couples all around, castles, sorceress’s, monsters, fights, and all shot effectively, all told with a wink and a smile. Hey, I’m not complaining.

-Lloyd Marken

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MAD MAX: FURY ROAD ROCKS BECAUSE GRANDPA MILLER KNOWS ACTION

fire explosion mad max mad max fury roadMad Max: Fury Road arrives with a bang easily the best blockbuster of the whole American summer. Like a howling breath of fresh air for the action genre, this fourth entry in the franchise both paradoxically shows how films could be shot going forward and revels in old school practicality. George Miller at 70 has led a cast and crew of all ages in the reinvention of a franchise and a genre with the kind of energy and zeal a man half of his years would shudder to muster.

Skipping an origin story with what is effectively a reboot we are plunged head first into this dystopian post-apocalyptic world with little water or petrol. Reducing all back to tribal loyalties and feudal pecking orders, those with muscle are the ones who wield power. Max Rockatansky (Tom Hardy) himself is a man with capable skills and physicality but is subject to attack due to his loner status. His vulnerability shown up in the opening scenes where wandering the desert he is chased and captured by a group of thugs and taken to The Citadel where dictator Immortan Joe (Hugh Keays-Byrne) rules supreme. Tellingly Max and Joe never meet, Max even following an escape attempt is never seen as truly remarkable but strung up to be used as a blood donor.

angry charlize theron mad max annoyed mad max fury roadThe lead character is arguably not even Max but Imperator Furiousa played by Charlize Theron who serves Joe as his best convoy driver for fuel or ammunition runs in her War Rig semi-trailer truck. Furiousa hides a secret though, she was taken as a child from a more peaceful place and she is planning her escape to get back there and to take with her the young healthy women that Immortan Joe has taken for his brides.

The film is effectively a chase film with character motivations and interactions taking place often on the run. Yet the story is deceptively deep as Immortan Joe clearly at the end of his life prizes women to possibly breed healthy children as more important than how many guns and wealth he can acquire. One powerful shot shows a pregnant woman placing her belly in front of Furiosa rendering a gun toting Joe impotent to fire.mad max mad max fury road immortan joe the splendid angharad hugh keays-byrne

Tom Hardy has always created tremendous physical presences in his films and he is no different here but his Max is a little chattier than Mel Gibson’s. mad max mad max fury road fight me because apparently i am the worlds tiniest puff pastryNonetheless he till mostly grunts through the film and like previous efforts, Hardy nicely conveys the theme of Max learning to co-exist and even rely on others. Charlize Theron packed on 9 kilograms of muscle to her frame for the film and here covered in grease and rags with a mechanical arm she is the most beautiful thing in the film. Conveying so much with glances from her shining green eyes she is unequivocally a fucking movie star but also one of the best actresses working today. Being liberated are the Five Wives some played by former models who all convey subtle personality traits that define each of their characters and make them all unique. movie film love couple sci-fiNicholas Hoult portrays a War Boy named Nux originally loyal to Immortan Joe and eager to die a glorious death hunting down Furiosa. He has possibly the biggest arc as a character and Hoult conveys a growing revelation that War Boy has always wanted to be liked and have friends. This need and its lack of gratification shows up the harshness of his world.

2015 behind the scenes mad max mad max fury road chromeThe music could be my favourite score of the year, certainly of any blockbuster. So much thought has gone into production design right down to things that may not even appear on screen in terms of gear sticks and interiors of certain vehicles. Such details inform about the characters reflecting their personalities and status as well as how they live. While a stunning array of real stunts were performed in shot, various rigs and wires are CGI’d out and the palette of the colours has been dramatically changed in post. It creates an epic new look for the film not dissimilar to comics and distancing the film from the original trilogy to stand on its own.

mad max mad max fury road fury roadSpecial shout out to this film’s Supervising Stunt Coordinator Guy Norris who performed many stunts on Mad Max 2 most famous of which was the bicycle stunt when he flipped over several times in mid-air after a crash and broke his femur. Now 54, Norris book ended the stunts of this film by first rolling Max’s Interceptor as seen in the trailers and at the end of filming driving a sixteen wheeler truck into the wreck of another at 60 miles per hour. Cinematographer John Seale also came out of retirement to do this film and his work is magnificent.

George Miller is making the best use of all modern technology can afford him but he has wisely foreseen that there is a growing recognition to feature women as more than love interests in genre pictures on a regular basis and that nothing beats the thrill of real stunts in an action film. This is a great movie.

-Lloyd Marken

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