INTERVIEW WITH ‘NO END OF BLAME’ DIRECTOR DAMIEN RYAN AVAILABLE ON SCENESTR

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A couple of weeks ago I was fortunate to get the opportunity to interview Director Damien Ryan about his new play No End of Blame. Put on by Sport for Jove theatre company in Sydney it was a bit of a departure for them and Ryan. Known for adapting classical texts and in particular Shakespeare this play was written by Howard Barker who’s work tends to be more challenging to audiences and storytellers alike. I spoke to Damien as he was nearing opening night for a play that was going to push him, his company and his fans into new territory. It was an exciting time and I wish them well.

I often repeat how nervous I am doing these interviews and how rewarding that has made them. As I’ve gone along though I seem to be growing in confidence and how to discuss the work with the artist and so it felt here with Damien. The play features work from political cartoonists Cathy Wilcox and David Pope for example which we discussed for a bit but there is always a limit to what can be practically related in the written piece.

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Below is a cartoon from the great Cathy Wilcox which we discussed amongst others.  Like all directors he has a real fondness and respect for his cast and crew. It would have been great to see No End of Blame but alas I’m in Brisbane and they’re in Sydney but I’m very grateful to have had the opportunity to interview Mr Ryan. You can read the interview here http://scenestr.com.au/arts/no-end-of-blame-is-unafraid-to-point-the-pencil-in-sydney or read it on page 36 of the digital copy of Scenestr’s latest NSW print issue here http://scenestr.com.au/read/NSW/2017/17-NSW/scenestr-NSW-17.html#p=36

This is now my fifth interview with Scenestr which began with the performers Meghan O’Shea and Drew Weston for Grease – The Arena Experience, director Michael Beh for Uncle Vanya, followed by playwright Aidan Fennessy for the musical What Rhymes With Cars and Girls before the next day interviewing Palace CEO Benjamin Zeccola for the 2017 Italian Film Festival and finally director Damien Ryan for No End of Blame. Additionally all the interviews have been published in print around Australia while often reviews are exclusively online content. As a member of Generation X I get a thrill out of being published in print I have to admit. I get a thrill out of being published – period. This is still new to me, still something I’m eternally grateful and still something I don’t take for granted. Hopefully though I am growing with confidence and that will make the work better too. Thank you for your continued interest in my writing even if now sometimes you have to click on a link to read it.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

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INTERVIEW WITH ‘WHAT RYHMES WITH CARS AND GIRLS’ PLAYWRIGHT AIDAN FENNESSY AVAILABLE ON SCENESTR

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A little while back I was fortunate enough to interview Aidan Fennessy about his musical What Rhymes With Cars and Girls based off the album of the same name from Tim Rogers. Aidan spoke with great enthusiasm about his cast and the album that inspired the musical.  The next day I spoke to Benjamin Zeccola about the 2017 Italian Film Festival and both interviews were in the print edition of Scenestr for Brisbane which for an old fashion guy like myself was a big thrill.

You can find see how the print edition looked here http://scenestr.com.au/read/QLD/2017/1095-QLD/scenestr-QLD-1095.html#p=63 and read the online edition of the Aidan Fennessy interview here http://scenestr.com.au/arts/what-rhymes-with-cars-and-girls-from-an-album-to-a-stage-show

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

INTERVIEW WITH PALACE CEO BENJAMIN ZECCOLA AVAILABLE ON SCENESTR

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I didn’t intend to go away for over a month, there’s been things I’ve been doing and I planned to post often but it just got away from me, overtime shifts, an impromptu getaway and feeble attempts to improve my health and sleeping patterns. So here we are and it’s been more than a month. I feel very frustrated that I’m not getting to write and read as much as I used to but the first thing I had to do was write about Kelly. Now that I’ve done that I will try to catch up on some things I’ve gotten published in the past month.

A few weeks back I jumped at the chance to interview the Festival Director of the Italian Film Festival which tours around Australia at this time of the year. Alas she was ill and last minute I got to speak to the CEO Of Palace Cinemas himself Benjamin Zeccola. Interviews are still a relatively new thing for me and often listening back to the tapes I hear a nervous interviewer building to his questions. How the hell was I gonna go with a CEO?! Well Mr Zeccola was so charming that I grew in confidence during our conversation. We spoke for about 30 minutes about how I met my wife at a Palace cinema, the changing landscape of media and how to program a film festival. It was a truly fascinating conversation with a man who revealed himself to be very grounded, a hopeless romantic but also a savvy businessman. It gave me a great deal of confidence coming out of it and made me realise what a dream it would be for me to do this for a living full time. Alas due to word count restrictions we were only able to print his thoughts on the 2017 Italian Film Festival which you can read here http://scenestr.com.au/movies/lavazza-italian-film-festival-coming-to-a-cinema-near-you

Later I attended the return of the Brisbane International Film Festival where his father Antonio Zeccola was acknowledged for his work in bringing back my favourite hometown film festival. I had thanked Benjamin and Palace for doing so during our interview and I feel eternally grateful for the privilege of being able to do that as a writer for Scenestr.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scenestr magazine in print every month and I was lucky enough that this featured in all the September issues published across the country. In the Queensland issue it featured alongside another interview I conducted. A digital copy of the printed magazine with two interviews I did for the Queensland September issue can be found here http://scenestr.com.au/read/QLD/2017/1095-QLD/scenestr-QLD-1095.html#p=63

Scenestr18Scenestr focus mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

INTERVIEW WITH ‘UNCLE VANYA’ DIRECTOR MICHAEL BEH AVAILABLE ON SCENESTR

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I tackled my second interview for Scenestr magazine a few weeks back and it was published in print in my hometown. The first professional production in Brisbane of Anton Chekhov’s Uncle Vanya in 86 years is being done by director Michael Beh. A veteran of theatre productions, Beh spoke with passion and thoughtfulness for over twenty minutes and I hope I have done justice to how interesting he was to listen to. A digital copy of the Queensland edition can be found here http://scenestr.com.au/read/QLD/2017/1094-QLD/scenestr-QLD-1094.html where the print version of the interview is on Page 44 Scenestr12.jpgand the full version went online here yesterday http://scenestr.com.au/arts/anton-chekhov-s-uncle-vanya-returns-to-brisbane

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

The interviews create more nerves, take more work and prove more rewarding. Doing this work remains a privilege and I hope I prove worthy of it. The Brisbane International Film Festival returns next week and I can’t wait to share some highlights with you.

-Lloyd Marken

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INTERVIEW WITH THE LEADS OF ‘GREASE – THE ARENA EXPERIENCE’ AVAILABLE ON SCENESTR

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I did a Work Elective subject in my final undergrad year in 2004. There were about five of us and we did the Brisbane Writer’s Festival Newspaper in 2004. I was hardly the star of the team but I did get to interview some people which was a real thrill for me. Perhaps one day I’ll recap some of that. Almost 13 years later I downloaded a free app onto my phone to record interviews I might do for Scenestr.

Two weekends ago I finally landed a gig and interviewed performers Meghan O’Shea and Drew Weston who are touring Newcastle this month as Sandy and Danny in Grease – The Arena Experience. I spoke to them one at a time for less than 13 minutes each while struggling to contain nerves and excitement throughout. They couldn’t have been nicer and more thoughtful on what they see as strong points about the show, their co-stars and the arts in general. I’ve tried my best to honour that and to put across how charming and articulate they were over the phone onto the written page.

In addition to being the first interviews I have done for Scenestr, this piece has been printed in their Sydney magazine as well on the website. A digital copy of the printed magazine can be found here http://scenestr.com.au/read/NSW/2017/13-NSW/scenestr-NSW-13.html#p=27 where the piece is located on Page 27. The online version is here http://scenestr.com.au/arts/grease-is-the-word-in-newcastle and includes an extra paragraph that took us over the word limit for the printed version. It concerns a story Drew told when I was inspired to ask an impromptu follow-up question after listening to one answer. That was a nice little moment for me, Parky eat your heart out. I’m grateful my editor decided to keep it for the online copy.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

What doing these things for these publications does for me, your continued support…. After I finished the first interview I walked up and down the living room for a few seconds and took some deep breaths. Then I focussed on doing the next one. I am not a brave man but not for the first time it occurred to me that the things that have scared me have always been the things that have been the most rewarding to have done. I am on a journey I guess, no idea where it will end up and that’s okay. Because it is the journey itself that I am eternally grateful for and I’m just enjoying it in and of itself. And…….. I am happy you are with me.

-Lloyd Marken

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