LETHAL WEAPON REVIEW AVAILABLE AT HEAVY

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I’m excited to have had a chance to be published online at Heavy magazine again. Heavy has recently gone through some restructuring and is continuing to grow as a publication. Having been a few weeks since my last submitted to them, I was eager to do something again but was unsure of what. Inspired by the magazine editor’s suggestion of perhaps doing a review of a cult film I instead re-calibrated from cult to classic upon hearing that the movie Lethal Weapon was celebrating its 30th anniversary.

Intended as a reminder of why we fell in love with it in the first place and a little taste for those who may not be familiar with the old buddy cop classic you can read my review here https://heavymag.com.au/film-review-lethal-weapon-30-year-anniversary/

I hope you enjoy and I thank you all for your support. I myself have been not as prolific at reading or writing as I would like but work has kept me busy. We try to balance these things as best we can but I have been published once again which never stops being such a thrill for me and I look forward to reading up on you all soon.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have had this review published on their website.

-Lloyd Marken

WONDER WOMAN REVIEW AVAILABLE AT BUZZ MAGAZINE

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I’m very grateful to be able to say that I have had another review published at Buzz Magazine. This one is for Wonder Woman which is drinking in the sweet smell of success with critical acclaim and box office moola!  happy woman weekend wonder woman opening GIFYou can read some of my thoughts here http://buzzmagazine.com.au/4882-2/ and I can’t help but link below a video review from the How It Should Have Ended team because quite frankly I think Daniel Baxter is really perceptive about the appeal and major themes of some recent releases. HISHE is correct, they got Wonder Woman right and from there everything else flows.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

I really appreciate everybody who takes the time to click on the links and check out these reviews, I hope you’re enjoying them. Out of the blockbusters I’ve seen so far this season Wonder Woman is only surpassed by Guardians of the Galaxy Vol. 2.

-Lloyd Marken

 

 

 

OVER 2,500 VIEWS FOR ‘THE FOUNDER’ REVIEW

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I’ll try to keep this short but I did want to share that Ray Kroc…What An Asshole! reached 2,500 views on the 27th May, Australian time. Views has been slowing down in the past fortnight following on from the heady explosion of interest in April following the digital release of the The Founder for the home market. I doubt there will be many more milestones to celebrate in the future, certainly in the near future but I hope people who read the review enjoyed it. It is the engagement I get from my regular readers that matters most but it has been exciting knowing so many different individuals from around the world have, even fleetingly, read something I wrote once. Once again I’d just like to thank anybody who has read anything from this humble obscure corner of the internet and enjoyed it.

A few stats just cause stats, the post published 18JAN2017 received 53 views in January, 372 in February, 212 in March, 1,098 in April, 875 in May and so far 29 in June. The last week of April boasted 382 views, followed by 296 views in the first week of May, then 206, 178, 143 and so far this week 81.Averages across the months per day have been 3, 13, 6, 36, 28 and so far in June 10. There is simply no other post on this blog that boasts such stats. It currently has 18 Likes and 2,639 views. Thank you internet.

-Lloyd Marken

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES REVIEW AVAILABLE AT BUZZ MAGAZINE

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Johnny Depp plumbs new depths in the latest Pirates movie out tomorrow. Thankfully Geoffrey Rush remains a better part of a franchise on its way out. I wish I could tell you otherwise but alas you can read more of my thoughts here http://buzzmagazine.com.au/pirates-of-the-caribbean-dead-men-tell-no-tales/

I’m very grateful to have another review of a brand new blockbuster movie published over at the wonderful Buzz Magazine. It means a lot to get published on such sites and I appreciate anybody taking the time to click on the extra link and check out my work.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

My wife enjoyed the film well enough so maybe it’s just me but I feel a responsibility to tell you that Guardians of the Galaxy Vol. 2 is still out in cinemas and a damn fine film. Once again I appreciate anybody who clicks on the link to read it and hope you enjoy.

-Lloyd Marken

ALIEN CONVENANT SURE WON’T BE MISTAKEN FOR ALIEN: COVETED

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Alien: Convenant has opened to mixed reviews and solid if not exciting box office. Such a reaction may spell the end of Ridley Scott’s plan to close out a new trilogy of Alien films for this decade but will this film grow in prestige with time. Setting out to serve two audiences it may fail to completely satisfy either but there’s no denying there’s good stuff here. Is it enough?

GenXers growing up in the shadow of the first two films were always keen for more go arounds when rumours would arise of James Cameron or Ridley Scott returning to the franchise. At one point long before Avatar took up his time there were even rumours Scott would direct a film written and produced by Cameron but alas that was not to be.

in 2012 though Scott returned to science fiction for the first time since 1982 with Blade Runner to make a Prometheus that would deal with origins of the Aliens and answer finally who was that infamous space jockey. The infamous space jockey turned out to be a giant, bald grey humanoid who took a shot of tequila and made human kind. Or at least one of his ilk did a million years ago. Beyond that we didn’t learn much about them but the ending of Prometheus promised us we would find out in the next film. We don’t.

Prometheus saw the Hollywood debut of Noomi Rapace who did a solid turn as Elizabeth Shaw and before heading off on a new adventure at the end setting up a compulsory sequel. Don’t expect to see much of her in this sequel.

Prometheus sported some incredible visuals but its weak point were fucking moronic characters who played cute with space cobras and took off space helmets for no good reason so they could propel the narrative forward, felt ill and possibly contaminated but still had sex with their girlfriends and in a panic ran in straight lines ahead of rolling giant objects bearing down on them.

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Thankfully there were bright spots and not just some neat sexual tension between naked push-ups champ Charlize Theron and handsome Idris Elba. There was Michael Fassbender as peroxided android David. A character you definitely couldn’t trust but was endlessly fascinating whom with a mix of intelligence and naivety engaged me.

I had time for some of the human characters in Prometheus, but I wanted to find out what happened next to David. To this end Alien: Convenant is more of the same. Michael Fassbender returning as David and also starring as Walter a newer model android is easily the most engaging performance/s of the film. Nothing against Katherine Waterston or Danny McBride who acquit themselves well but they’re types and also lambs for the slaughter. Nobody is still wearing a space helmet again but at least the word quarantine comes up in conversation and it just seems like the momentum is always against the human characters here that you understand why mistakes are made even if they are still clearly mistakes.

I guess you want to hear the plot right? Okay people on a ship in cyrosleep going to a planet. Fire on ship, people wake up. Get signal from other planet. Decide to go there because it is habitable and just had people die on fire on ship. Get there and….aliens. Sort of.

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There-done. I can’t state this enough Fassbender and Guy Pearce having a conversation in a white room at the beginning of the film was far more thrilling for me than an Alien tearing down spaceship corridors in the third act. Everything with David and Walter was far more fascinating to me than the alien scares and I suspect the same for Ridley Scott. Despite this though I do think the venerable director has had a red hot go at making the xenomorph scary again and giving us fantastically gross deaths to try and top the chest-bursting scene of the original. Creatures in long grass leaping out at dusk illuminated by nearby burning wreckage. Bursting open backs rather than stomachs. Neomorphs braying quietly an inch from you like a horse. The classic cliché of a shower sex coupling interrupted by other appendages moving in are memorable images as are pathogens moving through ear canals. If there is any complaint it is that it would have been nice to up the creep factor a bit with some of these sequences. Sadly the creatures themselves often move too fast and with little weight obviously rendered by computer their movements are now too sleek compared to the haunting creature in the earlier films. However the scene much touted in the marketing where a belayed Waterston does battle with the classic xenomorph on top of a careening space vehicle while packing a modified Steyr assault rifle is the kind of sequence that couldn’t have been done 20 years ago the same way and makes great use of modern technology.

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The film itself is less pretty than Prometheus sporting harsher colours, the planet in this film replaces the bare black volcanic rock with forests and medieval like structures but the sky is darker, the colours even more muted adding up to convey a nightmarish quality of a ruined world. Positively gothic. Which is kind of the point and maybe why this may struggle to find a huge audience. This is a dour film offering no real easy answers. There’s plenty of horror and action in it but its more interested in bigger themes. Yet saying that big themes and moodiness is why this film won’t click with some is just an excuse. Plenty of dour films can still entertain you with their effectiveness. There are interesting ideas in Alien: Convenant, some neat deaths and two compelling performances from Michael Fassbender. I was angry about the idea of having already waited five years for answers when Convenant was only going to leave me hanging for more but I am now intrigued to see where Scott takes this. Yet that does not a satisfying film make and Alien: Convenant is far from satisfying. Wait for it to come out on Disc or streaming. While Alien: Convenant seeks to address some of the criticisms of Prometheus I would argue the latter is still the better film. I’m also putting it out there in this corner of the internet, Sir Ridley I’d like to see Alien 5 with Ripley, Newt and Hicks more than I ever wanted to see this.

-Lloyd Marken

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GUARDIANS OF THE GALAXY VOL. 2 REVIEW AVAILABLE ON BUZZ

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There were two films I was most looking forward to in 2017. Guardians of the Galaxy Vol. 2 and Star Wars: The Last Jedi. Good trailers for Thor: Ragnarok and Wonder Woman have me excited about those films like Logan did previously and of course I can’t wait for Oscar season every year. But Guardians was it for me and it came out last week in Australia.

While I’ve never read one of the comics there was something new and interesting about the team since I saw the concept art for the first film. After the trailer for the original dropped I told friends in early 2014 that this was a film that could be Star Wars for a new generation. As it turns out we were lucky enough to have Star Wars be Star Wars for this generation but Guardians of the Galaxy turned out to be a success beyond expectations too.

Three years later and you can read my review of the sequel here http://buzzmagazine.com.au/guardians-of-the-galaxy-review/ at Buzz Magazine.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

It is a huge honour to have anything I write appear on their website but to have it be for such a hotly anticipated film that I have fallen in love with is quite a thrill. Once again I appreciate anybody who clicks on the link to read it and hope you enjoy.

-Lloyd Marken

BERLIN SYNDROME REVIEW AVAILABLE AT HEAVY

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I continue to be fortunate enough to have reviews published online at respected magazines. If you wish, please click on the link to read my review for Berlin Syndrome here at https://heavymag.com.au/film-review-berlin-syndrome/#.WQhkK421vIU

An effectively made horror film without the gore but all the squeamishness, it boasts two brave performances from Teresa Palmer and Max Riermelt. I applaud the technique of the filmmakers but wonder who will really get much out of a film that deals with such harrowing subject matter as abduction and imprisonment.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have had this review published on their website.

-Lloyd Marken